Ritsuko Takeda

Ritsuko Takeda

 

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【Short Bio】

1969

Born in Kanagawa Prefecture, Japan

1996

Completed the master course of print at Tokyo University of the Arts, Japan

2009

International Print Triennial in Krakow 2009, Contemporary Art Gallery “Bunkier Sztuki ”,Krakow, Poland

2009

HANGA: The Second Language of Japan, Manggha Museum of Japanese Art and Technology, Krakow, Poland

2010

Multiple Matters: Graphic Concepts , Kunstlerhaus, Wien, Austria

2011

Guanlan International Print Biennial, China 2011, Guanlan Original Printmaking Base, China

2012

The 3rd Bangkok Triennale International Print and Drawing Exhibition, Bangkok Art and Culture Center, etc., Thailand

2013

INTERFACES - Istanbul - , Mimar Sinan Fine Arts University, Istanbul, Turkey

2015 

The 5th NBC Meshtec Tokyo International Screen Print Biennale, The Second Prize, Tokyo, Japan

2016 

TRIBUNA GRAPHIC 2016, Muzeul de Arta Cluj-Napoca, Cluj-Napoca, Romania

2017 

The 19th International Print Biennial Varna, The City Art Gallery Varna, Bulgaria

2018 

The 18th Asian Art Biennale Bangladesh 2018, National Art Gallery (Shilpakala Academy), Dhaka, Bangladesh

2019 

Rhythm, Resonance, Noise, Yokohama Museum of Art, Kanagawa, Japan

 

【Collection】

Tokyo University of the Arts, Tokyo, Japan

Yokohama Museum of Art, Kanagawa, Japan

Machida City Museum of Graphic Arts, Tokyo, Japan

Iwata Label co.,LTD. Tochigi and Aichi, Japan

Manggha Museum of Japanese Art and Technology, Krakow, Poland

International Print Triennial Society in Krakow, Krakow, Poland

Guanlan Original Printmaking Base, China

Silpakorn University, Thailand

Capilano University, Canada

Muzeul de Arta Cluj-Napoca, Romania

 

【Concepts】

To a sheet of paper or to the surface in the shape of a quadrangle, I face. As I print one color after another, a sheet of paper comes to seem as if it extended its dimensions to the length, to the width and to the depth. As I print more clear-cut images with more simple colors, the extension gets more realized…

Between the reality of “a sheet of paper” and the fictionality of “the three dimensions on or in the paper”, there is the very world of mine.

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